Many watercolorists love the medium because the white of the paper helps illuminate the colors in the pigment. But if you are working outside, it helps to start from a midtone. Just ask Gretchen Kelly.

Lead Image: Gretchen Kelly painting on location in water media on toned paper

“I have a love for Stonehenge kraft paper, in particular,” says the New York State artist. “I have been painting on toned papers for years, not only landscapes but figurative works as well. There are several qualities that appeal to me. The vintage look, from years gone by, is always a lovely effect. There is a dramatic effect that can be achieved when combining watercolor with white gouache for clouds, water, highlights, and the like that add that last striking detail in a painting. Sometimes I mix blue with the white gouache as a finishing touch for the sky.”

The resulting painting
The resulting painting
“Top of the Falls,” by Gretchen Kelly, watercolor, graphite, and gouache
“Top of the Falls,” by Gretchen Kelly, watercolor, graphite, and gouache
Kelly’s plein air painting of Olana, the home of Frederic Edwin Church
Kelly’s plein air painting of Olana, the home of Frederic Edwin Church
Painting Olana on location in watercolor on toned paper
Painting Olana on location in watercolor on toned paper
"Hudson River Vista,” by Gretchen Kelly
“Hudson River Vista,” by Gretchen Kelly
“Waterfall,” by Gretchen Kelly
“Waterfall,” by Gretchen Kelly

Kelly has enjoyed employing the substrate when she’s competing in plein air competitions. “I always include a Stonehenge kraft color paper rendition,” she says. “The results are usually stunning, and in two recent plein air events, I sold and took second prize for landscapes on this paper. The areas left unpainted become a planned void in composition. That untouched area of paper leads the imagination to the subtle suggestions of where the paintbrush didn’t go. Why didn’t the artist choose to paint that section? Sometimes when I don’t know what to do … I do nothing, and that includes not putting a mark down on paper but instead leaving it blank. I like the mystery in spaces between brushstrokes. The toned papers then become a part of that composition.”


1 COMMENT

  1. Gretchen, I also like sketching and painting on toned paper but the search continues for a paper that won’t crinkle when wet. That is, a toned water color paper. I’ll try the 90 lb Stonehenge. It says it’s for watercolors. I have been making my own version by washing a full sheet of Fabriano 90 lb cold press with a thin acrylic brown and the tearing the sheet into 16 5.5 x 7.5 sheets. If you are looking for a less expensive option for craft papaer, try Lowes. They have rolls of what seems like about 90 lb craft paper.

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