It has been an exhausting and convoluted journey finding art materials that I am not allergic to.
No-fear plein air painting requires a little planning, a healthy dose of respect for nature and a keen sense of humor. With Brenda Boylan’s simple tips for painting en plein air, you’ll be able to hit the ground running and make the most of your experience.
Participating in a multi-day plein air painting event leads to growth — and many questions. At Capitola this year, I created two paintings that reached my mark of satisfaction. The other seven left me wanting much more. A few days later, I was left asking why.
Only hours remain to submit your materials for the October/November PleinAir Salon! You could win $250, $500, or even $1,000 if your painting is chosen for 1st, 2nd, or 3rd place by judge Scott Shields. When is the deadline?
I was asked by the travel editor of a national publication to identify the top 10 painting locations favored by plein air artists. I immediately asked my friends on Facebook what their choices would include, and I received hundreds of recommendations.
Professional artist and software engineering manager at the Nike World Headquarters in Beaverton, Oregon: Over the past several years, Karen Doyle has worked to juggle these two seemingly opposed career paths, spending her vacation time at plein air painting events or workshops, and painting several evenings a week from life in her home studio. Recently, however, she had the opportunity to completely mix and mash the two when she helped to bring plein air painting and an art exhibit to life at Nike, Inc.
An art conservator at the Nelson-Atkins museum of art in Kansas City made waves around the art world last week after she alerted curators that, as she examined Vincent van Gogh’s 1889 “Olive Trees” with a microscope, she had found something extraordinary.
France — where beauty resides in every village and field — is a favorite destination for me. I love traveling there and painting from life the beauty I see. How did my recent trip go? Find out here...
Finding balance between social activities and plein air painting, along with tips on flying with your oil paints.
Well-known painter Jane Hunt has had a busy and successful year — complete with a number of workshops, the Plein Air Convention, and several competition awards. The artist recently had some thoughts about maximizing a painting’s value, even after it’s left your possession.
The story starts with a demo I did for the Society of Western Artists in San Bruno, California, last Saturday. I never thought that in a few hours I would discover a new painting technique not heard of before.
On a recent trip to Rio de Janeiro, Brazil, my wife and I were walking along the sidewalk at Ipanema Beach when I noticed a group of plein air painters in the median strip between the different lane directions on the boulevard.
While outdoor painting in solitude can be healing, meditative, and enjoyable, there’s no doubt that bonding with friends while creating something beautiful has a special appeal. Two close friends decided to take it one step further, traveling nearly 12,000 miles in total to soak up North America and Canada’s beauty in mind, body, spirit, and paint.
Earlier this month PleinAir magazine publisher Eric Rhoads and about 60 artists gathered in Acadia National Parks’ Schoodic Point for a solid week of painting in a retreat called Fall Color Week. In the event’s third, and probably last, year in Maine, Rhoads’ intent was to expose painters to a painting experience that allowed them to get away from their day-to-day responsibilities while concentrating on continuous painting.
I paint with both water-mixable oils and traditional oils, and I get a wide variety of responses when people discover this. Everything from rude negativity (“what crap is that?”) to nods from those in the know (“I use them too, aren’t they great?”). It’s rather funny, as most art supplies don’t have groupies or naysayers like this … the lovers and the haters of water-mixables.
This summer I spent two weeks in Alaska on a painting trip. The first three days were perfect weather, the most beautiful scenery, and wildflowers that posed exactly where they should be for a perfect landscape composition. From there, it went downhill. The weather never cooperated again! Let me back up.
Here are some more of my thoughts about the advantages of acrylic and plein air.
For several years, Alexandre Reider and his wife have organized plein air painting trips around their home in Brazil with their students. Every once in a while, however, they aim for something much larger. This year, they landed in Austria.
There have been many charitable responses to the widespread devastation caused by Hurricanes Harvey and Irma. The Wayne Art Center in Pennsylvania is one organization that answered the call to respond, hosting a very successful fundraiser.
During the week of September 13-17, an unusual event took place in the little town of Midway, Utah.