California painter Mark Fehlman loves the Plein Air Convention & Expo (PACE) because it offers artists a chance to be with their tribe, and learn from each other. And this year, he doesn’t even have to leave town to attend.
Utah artist Brad Teare stopped painting outdoors because he was putting too much pressure on himself and not enjoying the observational process necessary to discover nature’s subtleties. How did he adjust his attitude and reduce his stress levels?
Interesting fact: His maritime experience came about as a crew member aboard many traditional sailing vessels including schooners and square-riggers. Learn more about this plein air painter, and be inspired.
On painting the landscape: "...when we do what we are meant to do, at this moment, our action can inspire and touch the lives of others." Joshua Cunningham takes us behind the scenes of his winning painting, "Abandoned at Sunset."
Joe Anna Arnett is a restless soul. Her approach to painting is constantly mutating, but there are a few things participants at the Plein...
Wisconsin painter Shelby Keefe chooses paintings for her collection that reflect her goals — and if they feature cars, so much the better.
Our 7th Annual Plein Air Convention and Expo is just around the corner, and to celebrate, we’ll be highlighting some of our featured instructors and their art over the next several weeks. Recently I asked him to tell us more about a couple of his paintings.
Combining traditional and water-mixable oils, Lashley uses as little detail as possible — without compromising on her vision for a painting.
While this artist feels that developing a career in art is a very personal and individual journey, she generously offers some recommendations to emerging artists.
My company mantra is that we only do business in areas we love. We refuse to spend our time on subjects and projects just for revenue alone. We love art. We love figurative work. We love doing PleinAir magazine.
Australian painter Mike Barr feels drawn to rainy streets and empty beaches -- two subjects that lend themselves well to a narrow range of...
Oil painter Michelle Jung spends half the year in Santa Cruz, California, and the other half in Wellesley, Massachusetts. The contrast between the two locales has sharpened her skills of observation and has given her important insight that she can share with attendees of the Plein Air Convention & Expo (PACE), where she is on the faculty.
Represented by Total Arts Gallery, Chinese artist Huihan Liu creates painterly works when plein air is “difficult, if not impossible.”
While Christine grew up surrounded by the arts, her journey to becoming an artist wasn’t clear until later on in her life. Learn more in this interview, and be inspired.
Kentucky artist Jennifer Fairbanks prefers that those observing her plein air painting have hooves and paws, and she gets her way when she paints...
Maryland painter Jill Basham says she collects work by other artists that she thinks is beautiful. But she also does it to learn.
Over the past 25 years, David E. Dallison has taken his portable watercolor equipment to more than 35 countries, sometimes ignoring travel warnings and political unrest. He is now being a bit more cautious since he is traveling with his young family. Here’s how he works with watercolors in distant locations.
As a plein air painter, you are part of one of the largest art movements in history. Learn about artist Charles Dana Gibson (1867-1944) here.
Surrounded by Hindu temples, river banks, old Indian homes, and narrow lanes, this watercolor artist was born to paint en plein air.
We can't show one of the most interesting things Tennessee artist Dawn Whitelaw does in winter to make her plein air paintings better...