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Why This Works: Not Every Branch, Twig, and Leaf

OutdoorPainter.com - April 16, 2017

Why This Works: Muted Chroma, Powerful Values

OutdoorPainter.com - April 8, 2017

Why This Works: High Horizon Line for Compelling Composition

OutdoorPainter.com - April 3, 2017

A Step Closer to $15,000

OutdoorPainter.com - March 28, 2017

Why This Works: Aerial Perspective and a Good Lead-In

OutdoorPainter.com - March 28, 2017

Why This Works: Mountains as Sky Family

OutdoorPainter.com - March 19, 2017

Carl Bretzke’s Top 10 Reasons for Attending the Plein Air Convention

OutdoorPainter.com - March 13, 2017

Why This Works: Low Key Allows Orange to Pop

OutdoorPainter.com - March 13, 2017

What a Painting Dream Trip Looks Like

OutdoorPainter.com - March 8, 2017

Why This Works: Format, Key, and Aerial Perspective

OutdoorPainter.com - March 6, 2017

Paint Like a Hobbit

OutdoorPainter.com - February 22, 2017

Why This Works: The Sailboat’s Story

OutdoorPainter.com - February 20, 2017

Why This Works: Figures as Supporting Players

OutdoorPainter.com - February 12, 2017

Artists Share in $31,500 in Prizes

OutdoorPainter.com - February 8, 2017

Do You Know Anyone Featured in the Next PleinAir Issue?

OutdoorPainter.com - February 5, 2017

Why This Works: Using Both Symmetry and Asymmetry

OutdoorPainter.com - February 5, 2017

Featured Artwork: Jill Stefani Wagner, PSA-MP

OutdoorPainter.com - February 1, 2017

Featured Artwork: Devin Roberts

OutdoorPainter.com - February 1, 2017

Featured Artwork: Caroline Jasper

OutdoorPainter.com - February 1, 2017

Why This Works: A Tale of Two Paintings

OutdoorPainter.com - January 30, 2017

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