Plein air painter Bill Davidson takes us through his process of creating a powerful landscape painting.
Have you heard of the glazing technique, but aren’t sure when or why you’d apply it to your painting? In this guest blog post, Hebe Brooks, a NOAPS Master Artist, explains glazing for beginners.
Particularly in plein air painting, where carrying a lot of paint tubes around and having a complex palette is often avoided, artists go for a split-primary palette, with a warm and cool for each primary color. So what is your warm blue?
The key of a painting refers to its overall appearance in value or, more speciﬁcally, to the position of its foundation values on the value scale. John MacDonald explains.
Why isn’t your art selling? More importantly, how do you make it sell in 2020? Find out in this letter from Eric Rhoads.
Christine Lashley gets a wide variety of responses — everything from rude negativity to nods from those in the know — when people discover that she paints with both traditional and water-mixable oils. Here are the benefits and the drawbacks as she has experienced them.
Master these elements to give your paintings a powerful sense of atmospheric depth.
You don’t actually have to learn drawing techniques if you’re painting landscapes, right? John Pototschnik shares his insights.
Before laying paint to canvas, it’s a good idea to assess your subject in terms of pure abstraction. John Hughes explains.
Improve your drawing skills to achieve accurate placement and proportions in your paintings. The good news is that you don’t have to stop painting in order to improve your drawing; it’s not an either–or situation. Read on to shine a light on this challenge!
Pastel artist Nancie King Mertz shares how she created a recent landscape with a unique composition in this step-by-step demonstration.
This advice from Johanne Mangi, one of the world’s top painters of dog portraits, will get you going in the right direction toward painting our canine counterparts.
In recent years, top plein air painters have been using painting procedures associated with academic studio painting. Painters like Marc Dalessio, Joseph McGurl, and Matt Chinian all frame their landscape subjects inside a rigid viewer, then paint exactly what they see inside that rectangle. Find out why.
Quite frankly, these elements are the glue that holds every good painting together and, conversely, is the reason some paintings fall apart!
For artists, a proportional wheel is (or should be) an indispensable tool. See why in this guest blog post from John Pototschnik.
Artists from the California Art Club share their experiences from — and advice for — painting in Yosemite.
If you’re still in the early phases of your art journey, you’ll appreciate these practical nuts and bolts of getting started as an artist.
Why is taking risks so important for our growth as artists, especially when it comes to confidence? Jed Dorsey explains in this excerpt from “The Confident Artist.”
See a landscape painting come to life step-by-step in this behind-the-scenes look into Lori Putnam’s recent painting, “Downtown Charlotte.”
To help market her artwork, Lynn Dunbar summarized her approach to plein air and studio painting and emphasized her response to the spirit, vitality, and beauty of her home state.