From the Latest Issue of PleinAir Magazine

The cover of our April/May 2026 issue of PleinAir Magazine; art by Anton Nowels

Featured Artwork

Latest Articles

Don Demers has a line he uses with his students: “Painting is not an art. It’s a craft.”

4 Ways Don Demers Approaches a Landscape

Everyone says "paint what you see," but here's how Don Demers approaches a scene. (Bonus: In "Painting Rocks and Water in Plein Air," you get to spend a full afternoon at his easel, learning how he works...
Plein Air Painters of America - Kim Lordier

See 100+ Paintings From 40 PAPA Artists

Many Signature PAPA members will be in attendance on the opening weekend. In addition to the main exhibition, many members will also participate in a sale of their field works painted during ...
Artist self-portraits

7 Paintings of Plein Air Painters at Work

Painting outdoors with 360-degree views, artists have access to an infinite source of subject matter from which to draw inspiration. Every once in a while, however, the tables turn ...
Painting figures for beginners

6 Tips for Painting People in a Landscape

With a keen interest in plein air painting, Hema Gupta's goal is to paint in a loose and impressionistic style. Here, she shares her advice for effectively including figures in your next landscape.
Artists enjoying one of the paint-outs at the Plein Air Convention & Expo

May 2026 Must-Attend Plein Air Painting Events

Check out these May 2026 plein air painting events and opportunities, highlighting art shows throughout the U.S. Bonus: Catch this month's deadlines so you don't miss out on upcoming opportunities.
The Terrace at the Garden at Les Lauves, Paul Cézanne, 1902-1906, watercolor over graphite, 17 x 21 in., The Morgan Library & Museum

Secret Spaces that Became Art: “The Terrace at the Garden at Les Lauves”

Near the end of his life, Paul Cézanne increasingly translated his deep feeling for nature into a series of color patches so abstract that, in hindsight, they seem to anticipate the abstract art of a far later era. One of his last works ...
"Mill Creek Glimmer" by Jill Stefani Wagner, pastel landscape painting demo

New Pastel Demo From Jill Stefani Wagner

"As a contemporary impressionist painter, I'm obsessed with capturing light," says Jill Stefani Wagner. "Plein air painting is my passion, but during the colder months I work on larger pieces in my studio. I paint in both pastel and oil, two mediums which complement each other nicely." Here, Wagner shares her step-by-step in a pastel landscape painting demo of "Mill Creek Glimmer," which she created en plein air.
Olmsted Plein Air Invitational

Happening Now: 12th Annual Olmsted Plein Air Invitational

The 12th annual Olmsted Plein Air Invitational welcomes 30 renowned artists from across the country for nine days of artful celebration as they capture the essence of Atlanta.
Plein air painting setup

I Forgot My Brushes, So I Used …

"Whenever space opens in my crazy schedule, I grab my materials and head outside to paint for a few hours,” says Sue Barrasi. “On this occasion, I drove to a charming site I’d filed away in my memory for when the time was right..."
Kathie and Buddy Odom - art marketing tips

Our 5 Non-Negotiables of Art Marketing

As Buddy Odom stepped in to help grow the career of his wife, celebrated plein air painter Kathie Odom, he took his cues from the artist herself. Along the way, they identified five art marketing secrets to success.
Plein air painter Christine Code shares her approach to painting clouds and skies, and how she "found a sweet spot between chasing and sticking to a composition."
Like most mornings, which start with a walk in a beautiful rural setting, I became immersed in the feeling of life in every blade of grass and droplet of dew that caressed the unfolding scenes before me as I reveled in the experience.
A witness to two rare lunar events, this Florida transplant embarked on a quest to capture the ocean’s shifting colors under the light of the moon.
Deborah Tilby takes us through her process for the landscape painting “Prairie Snow.” She says, "Even at a very young age, I would notice light and shadow, texture, and color, but almost without realizing I was doing it."

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