From Pages to Pixels: Celebrating 15 Years of PleinAir Magazine
One of the greatest benefits of this community is the connection it fosters — artists from all over the world engaging with one another, often through something as simple as a comment on a blog or social media post.
Featured Artwork: Suzanne Burnell
Suzanne Burnell: Suzanne Burnell is a Colorado-based artist whose landscape paintings in pastel and mixed media reflect her profound connection to the natural world....
Featured Artwork: Logan Hudson
Logan Hudson: The work of Logan Hudson is a documentation of his search for truth in the landscape. It’s not about what the artist...
Featured Artwork: Lorraine Marie Cote
Lorraine Marie Cote: Lorraine strives to have her work embody the light, mood, and atmosphere of the moment, which is why she particularly loves...
Painting a Nocturne? Be Mindful of This
I took the painting as far as I could on location, then I packed up my gear and loaded it into the trunk of my car...
5 Ways to Overcome Challenges of Painting in Winter
Plein air oil painter Melanie Barash Levitt loves painting in winter. Here, she shares how oil painters in particular can make it a successful practice.
Our Plein Air Heritage
As a plein air artist, you are part of one of the largest art movements in history. In this "plein air heritage" series, learn about ...
Painting of the Week: “Where the Buffalo Roam, Isaiah 40:31”
"Where the Buffalo Roam, Isaiah 40:31" is an oil painting born from a deep connection to the wild heart of Yellowstone National Park in the Lamar Valley and a reflection on endurance and hope.
10 Tiny Treasures
Working on a surface 12 x 16 inches or smaller allows artists to respond quickly to shifting light and fleeting moments. Quick doesn’t mean easy, though ...
Meet the Artist Behind Our Holiday Greeting Cards
Meet Sam Paonessa, an active member of the Streamline Publishing PleinAir community. Since 2021, Sam has been painting the holiday greeting cards you see from Eric Rhoads and our team each year.
Announcement: The October PleinAir Salon Winner Is …
Elaine Adams, Director of American Legacy Fine Arts, has revealed her selections for the October 2025 PleinAir Salon art competition. They are ...
What’s Inside: PleinAir Magazine December 2025 / January 2026
Published bi-monthly, PleinAir Magazine is focused on landscape paintings by historical and contemporary artists, art collections, events, and the process of creating plein air paintings. Beautifully...
Fifteen Years and Counting
Anniversaries invite reflection — a moment to pause, take stock, and appreciate how far we’ve come. With this issue, we celebrate a special milestone: PleinAir Magazine’s 15th anniversary.
Featured Artwork: John MacDonald
John MacDonald: The landscapes of John MacDonald capture the transience of still moments in a landscape, in which time the light and time stand...
Featured Artwork: Nicole Maye Luga
Nicole Maye Luga: Nicole is a contemporary realist oil painter working from direct observation and in the studio. “My work is a reflection of...
The Waxahachie 2025 Best in Show Is …
The 18th Annual Paint Historic Waxahachie Plein Air Art Show recently brought 38 artists to Waxahachie, Texas, where they ...
The Best Plein Air Easels for Artists
What’s the best easel for plein air painting? We asked, and you answered! Dozens of artists share what their favorite plein air easels are, including why they’re top choice.
How to Avoid Painting Pitfalls
Keep your compositions fresh and lively by applying the mantra “same same, bad bad.”
Step-by-Step: How to Paint Like Van Gogh
ICYMI: Dena Peterson had the honor of being one of 125 international artists selected to work on the movie “Loving Vincent.” Here, she shares what she learned by studying Van Gogh’s work.
Free Lesson: Negative Painting with Watercolor
Negative Painting means that you paint around the areas you want to preserve; Think of it like carving stone, chipping away until only the most precious elements remain.
Tertiary, Monochromatic, and Analogous Colors
Because I’ve been painting so long, I use color intuitively. I just “feel” my color. I choose colors automatically and know which ones harmonize or contrast with each other depending on the effect I want. I have long since stored by paint-splattered color wheel deep in a drawer in my studio, ignoring the wealth of information hidden within it. I’m sure I learned all there was to know about color in high school or college, so what is the point?
Painting Basics: Understanding Value
“All of us, beginners and experienced painters alike, can benefit from a refresher course in the bedrock principles of value and color.” John MacDonald explains more in this overview.
Subscription Renewal
We’re glad you’re part of the PleinAir magazine family! Renew your subscription here, where you can choose from digital and/or print options.
Painting of the Week: “Morning at the Marsh”
Even though the scene was rapidly changing with the sunrise, I slowed down and just concentrated on color notes, giving each stroke of color as a placeholder.
Gifts for Artists: Your 2025 Holiday Shopping Guide
This list has it all: gorgeous frames, beautiful paints, and a special section of gifts under $50!























