William Trost Richards, "Lake Squam From Red Hill," 1874, watercolor, gouache, and graphite on light gray-green wove paper, 8 7/8 x 13 9/16 in., Metropolitan Museum of Art, Gift of The Reverend E. L. Magoon, D.D., 1880
William Trost Richards, "Lake Squam From Red Hill," 1874, watercolor, gouache, and graphite on light gray-green wove paper, 8 7/8 x 13 9/16 in., Metropolitan Museum of Art, Gift of The Reverend E. L. Magoon, D.D., 1880
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Learn about William Trost Richards, who has helped start the plein air art movement in some way, and be inspired to continue your own journey. For even more inspiration, subscribe to PleinAir® Magazine.

Our Plein Air Heritage

William Trost Richards (American, 1833–1905)

An early contributor to the annual exhibitions of the American Society of Painters in Water Color, William Trost Richards helped raise the profile of the medium significantly in the United States. Here, his radiant sunset depiction of island-studded Lake Squam from Red Hill in New Hampshire hints at his admiration for the stunning sky paintings of New York oil painter Frederic Church.

Although Richards’ small-scale landscapes are the nearest counterpart in watercolor to the paintings of his idol and other contemporaries in the Hudson River School, he broadly rejected the romanticized and stylized approach of the group. In contrast, his paintings combine topographical precision and strong design with a remarkable sense of light and atmospheric breadth to create meticulous factual renderings.


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