For the very adventurous outdoor painter, room — and weight — are crucial things to consider. PleinAir Today recently visited with artist Gary Geraths, who offered up some sage suggestions.
Do you remember how I mentioned a few weeks ago that I’ve been “eaten” by the plein air bug? Well, since my attendance at the Plein Air Convention & Expo in San Diego and with some sage advice from a good friend, I decided to give this plein air thing a try. How did it turn out?
In early April, California oil painter John Burton saved a life. This is not a metaphor.
As the new editor of PleinAir Today, I’d like to take a moment to introduce myself and express the excitement I have at entering this remarkable world of outdoor painting. There’s a catch, however.
Nature — and some miscreants who decided to set an interstate overpass on fire — seemed intent on discouraging the participants in the Olmsted Plein Air Invitational, but plein air painters are not so easily put off.
Watercolor paintings can be exciting, abstract, tight, mysterious, pretty — and divisive among some folks. Just ask Daniel Marshall.
American artists James Coe and Debby Kaspari were part of a group that painted for 10 days in one of the cradles of civilization. No matter how remote the location, they saw numerous signs of human activity. That’s the nature of the Mideast.
In less than a month, one painter will receive $15,000 for a painting entered in the PleinAir Salon. Now that the final bimonthly contest is over, the contestants are set, and 19 more entries are eligible for the big prize, which will be announced at the Plein Air Convention & Expo (PACE) in San Diego, April 24-28.
Why would anyone want to make life difficult for the amiable and energetic plein air dynamo George Van Hook? The painters at the recent Lighthouse ArtCenter Plein Air Festival did last week.
Chula Beauregard discovered an exhilarating aspect of her artist-in-residency at the Carpenter Ranch, located outside of Steamboat Springs, Colorado. It involved snow, her 7-year-old, sunshine, and more than 100 other people.
Barbara Tapp has driven through a suburb adjacent to hers for years, but while taking the Strada 31-Day Challenge in January, she uncovered a fascinating, emotionally charged story.
As plein air painters know, the sky is rarely just blue. There’s at least a gradation from top to bottom, and the clouds can reflect anything from deep orange to vivid purple. What did 20 artists see when they looked up recently?
Utah painter Michelle Condrat says her favorite place to paint can be described as the opposite of the Grand Canyon. Why?
Jean Stern judged the December-January contest in the PleinAir Salon, setting up a slew of artists to win thousands of dollars in prizes. Who's in?
People sometimes tell Rita Pacheco that they will be visiting the Carlsbad, California, area, and ask her where she recommends they go paint. Without hesitation, she directs them to this place.
Plein air painting isn’t just about the view in front of you. It’s about the entire environment around you. Danny Griego is exploring this through short videos.
What’s it like being a painter who lives on a sailboat? Brenda Osborne assures us it is hard. And hard to quit doing.
The Salmagundi Club, a historic art club based in New York City, branched out to California over the last year, and the West Coast participants are now the subject of a museum show in El Cajon.
David McEown paints in both the Arctic Circle and Antarctica each year. He’s learned some fascinating things along the way.
An upcoming show at the Cedarburg Art Museum is Exhibit A in two Wisconsin painters’ case arguing that painting in winter can be a blast.