Painting vibrant color - Jed Dorsey,
Jed Dorsey, "That One Morning," 2018, acrylic, 18 x 24 in., Private collection, Plein air

Plein air painter and fourth-generation artist Jed Dorsey shares his tips for getting brilliant color into your next landscape painting.

On Painting a Colorful Plein Air Landscape

By Jed Dorsey

The painting shown at the top, “One Bright Morning,” was one of those mornings where the sunlight was brilliant, beautiful, and quickly changing. I set up and just started moving, because I knew I didn’t have long. The key in these situations is to know what is essential and what isn’t.

I focused on getting the main shapes fairly accurate, and then just worked on capturing the feeling of the sunshine and shadows. I had opted for a dark-toned canvas, so every color I applied was moving up the value scale. The blue of the house in the back was easy to exaggerate, and it allowed me to push the other colors further also. While there is always something I’d like to fix, I often love the spontaneous feeling of these paintings done under a time crunch.

Jed Dorsey, "Of Sun & Shadows," 2019, acrylic, 18 x 24 in., Collection the artist, Plein air
Jed Dorsey, “Of Sun & Shadows,” 2019, acrylic, 18 x 24 in., Collection the artist, Plein air

In this painting, “Of Sun & Shadows,” I pushed colors in a more subtle way. There wasn’t much distance in the scene, so I exaggerated the blue grays of the background to create more depth. I also subdued some of the lighted areas of the background to accomplish the same feeling.

7 Tips for Painting Vibrant Color

  1. Call your painting a study. When you think of what you’re working on as a study instead of a painting, it can encourage a sense of freedom. You’re not trying to create a masterpiece; you’re just trying to learn.
  2. Use a brightly toned canvas. This can be the easiest way to make your paintings sparkle, because it doesn’t necessarily require a change in the way you work. Simply let some of the underpainting shine through.
  3. Exaggerate the subtleties. Look closely at the scene. Is there a blue violet from the sky reflected in the ground shadows? Is there a colorful tree, house, or boat? Find the colors that are already there and exaggerate them a little.
  4. Keep the value; change the hue. In my opinion, a color’s inherent value is its most important attribute. This means you can experiment and change the hue and saturation of colors quite a bit as long as you keep the values correct.
  5. Add variety to each color. A painting that only has fully saturated colors can be overwhelming. Placing dull, grayed-down colors next to the cleaner, more saturated colors also creates variety and makes the saturated areas appear more colorful.
  6. Use gray to give the eye a place to rest. Making a portion of the painting (the sky, for instance) a simple neutral grayish color provides a resting place for the viewer’s eye and can help bring a sense of peace to the scene.
  7. Let color have its voice. Georgia O’Keeffe said, “I found I could say things with color and shapes that I couldn’t say any other way — things I had no words for.” What do you feel when you see a scene you love? What do you want to say about it? How can you use color to say what words can’t?
Fourth-generation artist, Jed Dorsey
Fourth-generation artist, Jed Dorsey;

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