Hilary Slater is attracting attention with her inked outlines of watercolor, an effect that echoes another medium she has worked in for years.
“I’ve been doing stained glass as a hobby since age 12, off and on throughout my life,” says Slater. “When I ink around the shapes in watercolor with a heavier line weight, it really does remind me of stained glass.”
![“Yukon River Trail,” by Hilary Slater, watercolor and ink, 24 x 20 in.](https://www.outdoorpainter.com/wp-content/uploads/2016/12/B1.-SLATER-hilary-yukon-river-trail-1-768x1024.jpg)
![“View From Cliffs on the 17th Concession,” by Hilary Slater, watercolor and ink, 24 x 20 in.](https://www.outdoorpainter.com/wp-content/uploads/2016/12/B2.-SLATER-hilary-view-from-cliffs-on-17th-concession-767x1024.jpg)
Slater often paints on location in watercolor, then inks at home in the evening. “It’s almost a meditation in the evening for me. The shape of watercolor, when painted wet-in-wet, has always intrigued me. Watercolor takes control in that stage. I enjoy following the paint and the way the paint behaves. When I ink the outlines, it creates a secondary layer of design. The tricky part is deciding which areas to outline. I sit with it for a day or two if I’m not sure. I use four different line weights for inking, from very fine to almost the thickness of a Sharpie. In a clear sky with one cloud, I might do a fine outline. A tree in the foreground gets a thicker line. This creates depth and perspective.”
![“Sunset Over Killarney,” by Hilary Slater, watercolor and ink, 20 x 24 in.](https://www.outdoorpainter.com/wp-content/uploads/2016/12/B3.-SLATER-hilary-sunset-river-trail-1-1024x824.jpg)
![“Nude Study,” by Hilary Slater, watercolor and ink, 24 x 20 in.](https://www.outdoorpainter.com/wp-content/uploads/2016/12/B4.-SLATER-hilary-nude-study-1-762x1024.jpg)
She uses a variety of pens that produce different line weights, with some inks being permanent and others water-soluble. Sometimes she uses a rigger brush, especially for calligraphic lines like those depicting twigs. “Mostly I use waterproof ink because sometimes I’ll go back and add a wash or make changes,” says Slater. “Sometimes I do use water-soluble if it want it to blend a bit with the watercolor.”
![“The Potato Fields,” by Hilary Slater, watercolor and ink, 20 x 24 in.](https://www.outdoorpainter.com/wp-content/uploads/2016/12/B5.-SLATER-hilary-potato-field-1-1024x806.jpg)
Slater says, “The outlining is a quiet activity; I go off into the zone. So it is more appropriate for my evening time. Anyway, I can’t do the outlining until the painting is dry, so I have to wait at least four hours. At first, it almost became an OCD obsession, and I had to ink the whole piece. People really responded to it. I started with figures, giving outlines to the hair, like a Rasta, and on skin, like tattoos. That got the young crowd interested in it.”
![“Cliffs at Killarney,” by Hilary Slater, watercolor, 20 x 24 in. Before getting inked.](https://www.outdoorpainter.com/wp-content/uploads/2016/12/B6.-SLATER-hilary-no-outlines-cliffs-at-killarney-1024x855.jpg)
Indeed, Slater has applied this process to a variety of subjects, but landscapes are the most common, given the beauty of her surroundings in Canada. Slater says that in addition to her stained-glass background, she also moved toward the inking of outlines through a painting approach — the artist has applied watercolor paint in lines using the head of the paint tube. This spring, she plans on adapting the process for oil paint.
![“Forest Hike,” by Hilary Slater, watercolor and ink, 20 x 24 in.](https://www.outdoorpainter.com/wp-content/uploads/2016/12/B7.-SLATER-hilary-forest-hike-1-1024x740.jpg)
“I want to transition into this style with oils,” says Slater. “I’m thinking of working on a black background and carving in lines.”