John Hughes explains how this new way of seeing is key to your success, and the development of this skill will do more to further your advancement as a painter than anything else.
Captivated by her landscape paintings, I invited Cynthia Rosen to share with us some of her general tips for painting outdoors.
Tackle these common issues to start make better paintings sooner rather than later with this painting advice from John Cosby.
If you follow Lori Putnam at all, you probably realize she spends a fair amount of time on the road and in the air. That requires making sure she arrives with everything she needs safe and secure. Here are her top five preparedness tips for artists.
Master these elements to give your paintings a powerful sense of atmospheric depth.
Simply stated, when these three divisions are understood and put into practice, competent landscape paintings can happen.
John Meister offers advice for visiting New Mexico and painting outdoors in the “Land of Enchantment.”
Painting on large canvases out of doors is not for the faint of heart, as it requires a great deal of bravery and tenacity to get started. Curt Walters explains more in this guest blog post.
John Hughes shares why he hopes he never loses his enthusiasm for learning more about making art, because “that would surely spell disaster.”
Artists are used to taking workshops, which of course are great ways to learn. But what about events that are all painting, in a beautiful place with no workshop? It's trending - see why...
I painted “December Sunset Near Farmer’s Market” (a Plein Air Salon winner) in Minneapolis in 2015. Luckily the weather was better than usual with temperatures hovering just above freezing. (Yes, that’s better.)
Tempted to cover up an awkward part of your painting with a random landscape element? Find out why you shouldn't, and more great advice, in this guest blog post from outdoor painter Peggy Immel.
One of the beautiful things about art is that if we pay attention, we can apply what we learn to almost any area of our life, and vice versa. Such is the case with the following advice that plein air artist Larry Cannon shares about failure, success, and the awe that is nature.
Ultimately, when you paint a landscape, you’re painting movement. The air moves, the light changes; it’s never static. Light and atmospheric forces act upon the components of the landscape to create a story, and it’s up to you as the artist to pick the story you want to tell...
Toolbox tip: Learn about the drawing tool for that Michael Chesley Johnson says is essential for plein air artists.
Sketch quickly, first in value. When painting outdoors, it is important that you capture the drawing first...
Pennsylvania artist Beth Bathe is featured in the upcoming March 2018 issue of PleinAir. Here’s a preview of how she uses water-mixable oils, which have some of the characteristics of oils, acrylics, and watercolors. You may want to use these paints and avoid oil solvents.
I know I would not be the artist I am today without my teaching experience. Teaching art has enriched my life in many ways. Ironically, teaching is something I thought I’d be dreadful at. As a teen, I was a stubborn introvert. Public speaking caused me great anxiety. Although I wanted to improve my art, I remember hating most of my art teacher’s comments. You could even say I was a teacher’s worst nightmare … an unreachable student. That’s all changed, however...
It has been an exhausting and convoluted journey finding art materials that I am not allergic to.
Think you’ve got your plein air oil supply list nailed down? Think again. Esteemed painter John Crump takes the myth out of some plein air oil painting conventional wisdom. Whether you’re a seasoned pro or just getting started in plein air painting, you might be surprised by some of his hard-won findings.