Six outstanding plein air painters share useful tips that helped them push through those early struggles. Learn how they assimilate landscape overload and use all the material gathered on-site when creating larger studio works.
The art of painting is a head game. It requires a distraction-free environment that allows you to get into the painting zone and lets things go smoothly.
If you want to get your art published and seen around the world, do any (or all) of these suggestions from your team at PleinAir Magazine!
An exhibition at a regional museum is a marketing coup — but how does it happen?
Quite frankly, these elements are the glue that holds every good painting together and, conversely, is the reason some paintings fall apart!
New Mexico artist Albert Handell uses pastels to respond both to the specifics of what he observes and to his emotional response: “I will eventually frame the painting, not the location I observe, so the image has to be more than an exact replica of the landscape.”
Here at PleinAir Magazine, we recently received a letter to the editor from reader Carolyn Counnas on protecting your eyes while painting en plein air. See what her tip is to keep your vision safe.
Tomas Honz has an impressive body of work focusing on various sky conditions. It was not done without a fair amount of adversity.
Today’s spotlight on artists painting landscapes is Bob Rohm, who offers a video workshop on painting landscapes - specifically trees - trees in oil.
Actually, Lynn M. Rix tried to avoid greens by painting from a boat ... and she ended up with a lot of green. How so?
Christine Lashley gets a wide variety of responses — everything from rude negativity to nods from those in the know — when people discover that she paints with both traditional and water-mixable oils. Here are the benefits and the drawbacks as she has experienced them.
Believe it or not, value is actually more important than even this element to the design and success of a painting.
What makes a Sorolla a Sorolla? Any time two or more outdoor painters get together to talk about this master artist, they always agree on this one thing.
Innovations to paint boxes have made the job of the plein air painter more practical and enjoyable. Check out the set-ups of 11 artists with their easels and paintboxes, and learn which may be the right one for you.
The most important things we learn aren’t just technical tips, Michele de Bragança tells us, but rather, life lessons.
In this preview of “Urban Pastel Paintings,” Nancie King Mertz shows us how she approaches cityscapes. See why she says you can use the same approach with both oil and pastel paintings (and why she has become a devotee of pastel).
See how this outdoor painter considered her options for capturing a “Joyful Day” on paper at Acadia National Park.
Water as a featured element in painting has been used by artists throughout history. Here, John Slivjak explains four things artists need to consider when painting waves.
There comes a time in an artist’s career when she or he needs to ship paintings across the country for an exhibition. What is the best way to do this?
With summer now around the bend, perhaps you’ll have the pleasure of painting palms in your future, and this advice will help you do so.