Artist and author John Pototschnik explains his process when it comes to giving a landscape painting the perfect title.
Landscape painter John Hughes shares a step-by-step painting demo, illustrating his problem solving process for an acrylic study.
If you want to get your art published and seen around the world, do any (or all) of these suggestions from your team at PleinAir Magazine!
“Many people who have had Lyme disease are terrified of going outdoors again.” That’s Deborah Lazar, a Vermont artist and a victim of Lyme disease, explaining why you and all of your plein air painting friends want to avoid this affliction. How? Lazar has some tips.
From working with mediums to making studies from memories, Christine Lashley shares helpful advice on painting landscapes.
Think you’ve got your plein air oil supply list nailed down? Think again. Landscape painter John Crump takes the myth out of some plein air oil painting conventional wisdom. Whether you’re a seasoned pro or just getting started in plein air painting, you might be surprised by some of his hard-won findings.
When time is of the essence and access to supplies is limited, you must be prepared to make the most of what you have. Plein air watercolor painter Frank Costantino offers his best advice for how to handle just about any outdoor painting situation.
Most artists have their unique ways for going about their business. Colorado artist Michael Charron has a few notable ones involving llamas, a syndication system for selling paintings, and underdrawings with spiritual symbols and cursive writing.
"Artists that have trained their ability to look beyond the detail ... are able to make stronger, more captivating art."
Tackle these common issues to start making better paintings sooner rather than later with this painting advice from John Cosby.
When painting outdoors, it is important that you capture this piece first.
When it comes to painting snow scenes en plein air, you may experience some of the best sessions on warm, sunny days.
"When mixing colors for the landscape, artists need to be quick on their feet," says John Hughes. "Outdoors, where the light and shadows are in constant motion, it’s important to be able to mix a color intuitively."
For the very adventurous outdoor painter, room — and weight — are crucial things to consider when it comes to packing for plein air. PleinAir Today visited with artist Gary Geraths, who offered up some sage suggestions.
There’s a perception that painting comes easily to professional artists because they "were born with the gift." John Pototschnik explains how that idea is far from the truth...
Facebook Live Series: Thomas Jefferson Kitts “Sorolla: Painting the Color of Light” **FREE LESSON...
Watch: Thomas Jefferson Kitts is one of very few to master the techniques of the great artist Joaquín Sorolla, famous for his ability to paint the color of light.
Imagine a beach scene that is painted so well, you can actually feel the warmth of the sun. This is exactly the kind of landscape paintings John MacDonald will help you create.
Shelby Keefe demonstrates how you can take a good photo and turn it into an amazing masterpiece.
In this broadcast, watch and learn from Michele Byrne as she shows you how adding a palette knife to your tool kit will allow you to paint in a new way that will make people leap up and take notice!
From illustrator to fine art painter since 1982, John Pototschnik shares his advice on the importance of field studies, which he says have “a value greater than any monetary reward.”