Over the past 25 years, David E. Dallison has taken his portable watercolor equipment to more than 35 countries, sometimes ignoring travel warnings and political unrest. He is now being a bit more cautious since he is traveling with his young family. Here’s how he works with watercolors in distant locations.
Utah artist Brad Teare stopped painting outdoors because he was putting too much pressure on himself and not enjoying the observational process necessary to discover nature’s subtleties. How did he adjust his attitude and reduce his stress levels?
The American artist Henry Ward Ranger (1858-1916) studied in Europe, and when he returned to the United States in 1888, he began to exhibit with members of the National Academy of Design (NAD), the American Watercolor Society, and the Society of American Artists.
Lighthouses are such wonderful subjects, aren’t they? They project into the sky with brilliant designs from sandy and rocky shores and are beacons of hope for weary sailors. For accomplished outdoor painter Poppy Balser, there will always be a special place in her heart for Point Prim. Discover why here.
New York State painter James Coe collects paintings that demonstrate good ways of tackling vexing painting problems — like presenting a variety of greens in a landscape.
No sun? No problem for Mary Monk. Overcast days at the Shadows-on-the-Teche Plein Air Competition did not deter the Louisiana oil painter.
Nova Scotia artist Poppy Balser is partial to watercolor—her chosen medium—but she is also partial to demos she's seen painted in person. There's one other trait that attracts her to a piece she is considering for her collection.
A few pieces in Boston painter Thomas Dunlay’s collection remind him to stay the course.
Oil painter Michelle Jung spends half the year in Santa Cruz, California, and the other half in Wellesley, Massachusetts. The contrast between the two locales has sharpened her skills of observation and has given her important insight that she can share with attendees of the Plein Air Convention & Expo (PACE), where she is on the faculty.
Florida painter Mary Garrish calls collecting art “a gut response” to what moves her. But she has another way to explain her choices, one that makes total sense.
John Caggiano painted a picture of a beach in the Venice, Florida area titled “A Touch of Paradise.” But it was the artist who gave it that magic touch, not nature.
Jill Stefani Wagner will tell you how the students teach the teachers and the teachers explore with the students in the drama-free, prima donna-averse atmosphere of the Plein Air Convention & Expo (PACE). It’s one of the reasons she loves being on the faculty there.
When Nancy Tankersley saw this scene, she felt like it captured the feel of Florida. The judge at the Lighthouse ArtCenter Plein Air Festival agreed.
Learning from somebody of Jeremy Lipking’s caliber at the Plein Air Convention & Expo (PACE) next month in San Diego is an attractive notion. But let it be known, PACE is designed to help both advanced artists and beginners. Attend Lipking’s demo, but also attend Jim Wodark’s pre-convention session about equipment, part of the Plein Air Basics Course.
Marsha Brook has enjoyed a successful career as a sculptor, and she has dedicated the rest of her career to sculpting portraits of people who work to improve society. She’ll discuss this during an exclusive demonstration at the Plein Air Convention & Expo (PACE) next month in San Diego.
Chula Beauregard discovered an exhilarating aspect of her artist-in-residency at the Carpenter Ranch, located outside of Steamboat Springs, Colorado. It involved snow, her 7-year-old, sunshine, and more than 100 other people.
Perhaps, on some level, attending the Plein Air Convention & Expo (PACE) is dangerous. You may come home permanently changed.
One plein air painting inspired several exceptional studio pieces by this California pastelist, the winner of the December-January contest in the PleinAir Salon.
Wisconsin painter Shelby Keefe chooses paintings for her collection that reflect her goals — and if they feature cars, so much the better.
Pastelist Marla Baggetta has a secret she uses every day to put her in the right frame of mind for painting.