David Leffel Earns Lifetime Achievement Award
We wish to congratulate master artist David Leffel for earning a Lifetime Achievement Award. Watch a touching mini-documentary about his life and his path to becoming a legend.
Alvaro Castagnet Receives Lifetime Achievement Award
Congratulations to watercolor master Alvaro Castagnet, who received a Lifetime Achievement Award at the 7th Annual Plein Air Convention & Expo.
Plein Air Heritage: Martin Johnson Heade
Take a closer look at a nineteenth-century oil painting in this sneak peek at the new issue of Plein Air Magazine.
3-Minute Q&A with Atmospheric Painter Richard Schloss
Get a quick dose of inspiration in this Q&A regarding Richard Schloss’s atmospheric art, his inspiration, and the single-word answer to his most commonly asked question.
Expressionism in the Tetons
The varied and vivid landscapes of Wyoming inspire oil painter Bill Sawczuk to take a more expressive approach to plein air painting. Read more in this exclusive excerpt from our current issue (on newsstands now).
The Challenge of Painting “Crossing Light”
The story of my painting "Crossing Light" is all about light and how it leads the eye around the painting and then lands on the main character in the immediate foreground. But first I should back up and explain why I chose to paint this scene...
An Artist’s Perspective On Boats, Buildings, and Brushes
Vladislav Yeliseyev shares insights on painting two different landscape subjects, and the brushes he uses for them, in this artist profile from Plein Air Today.
Featured PACE Instructor: Charles White
Our 7th Annual Plein Air Convention and Expo is just around the corner, and to celebrate, we’ll be highlighting some of our featured instructors and their art over the next several weeks. Recently I asked him to tell us more about a couple of his paintings.
Jerry Balcom and The Visual Delights of Plein Air
Washington state plein air artist Jerry Balcom uses compositional devices, edge control, and color intensities to bring viewers into his pastel paintings. These techniques allow him to share the emotions he felt while working on location.
A Delicate Vision That Came to Pass
Nancy Boren’s oil painting “Cimarron Solstice” won second place in the 6th annual PleinAir Salon art competition. Read about her inspiration for the work, and learn how she created the scene, which exudes both grace and whimsy.
The View From the Top
What does a top award winner anticipate as he begins a new plein air season? Maryland artist Tim Kelly reveals his expectations for 2018.
Painting Dreams: Artist Randall Graham on Cold Wax Medium
Randall Graham adds cold wax medium to his oil colors so he can brush, scrape, thicken, thin, and scumble layers of color and texture to create a dreamlike state. See how he works with the medium.
Convention Preview: Find Spiritual & Personal Support
During her presentation at the Plein Air Convention & Expo, Tennessee artist Kathie Odom will reveal that she has been fortunate to find spiritual and personal support as her career skyrocketed to higher levels. What will she recommend to artists in Santa Fe?
Find Important Information in the Shadows
“If people start looking for color in the shadow, they will see it,” says Mark Fehlman, one of the featured artists at the Plein Air Convention & Expo. “If they stop and look, compare things, and consider what they want to emphasize most, they will get a lot more out of their observations.” How does Fehlman actually accomplish that?
Why Our Cover Artist Spent Days on One Painting
Maine artist Stephan Giannini spent days creating two plein air paintings in an apple orchard, and one of them is on the cover of the March 2018 issue of PleinAir. Find out why he worked so long on location.
The Risks & Rewards of Foreign Plein Air Painting
Over the past 25 years, David E. Dallison has taken his portable watercolor equipment to more than 35 countries, sometimes ignoring travel warnings and political unrest. He is now being a bit more cautious since he is traveling with his young family. Here’s how he works with watercolors in distant locations.
The Power of an Attitude Adjustment
Utah artist Brad Teare stopped painting outdoors because he was putting too much pressure on himself and not enjoying the observational process necessary to discover nature’s subtleties. How did he adjust his attitude and reduce his stress levels?
My Favorite Place to Paint: Poppy and Point Prim
Lighthouses are such wonderful subjects, aren’t they? They project into the sky with brilliant designs from sandy and rocky shores and are beacons of hope for weary sailors. For accomplished outdoor painter Poppy Balser, there will always be a special place in her heart for Point Prim. Discover why here.
Artist as Collector: James Coe and the Mean Greens
New York State painter James Coe collects paintings that demonstrate good ways of tackling vexing painting problems — like presenting a variety of greens in a landscape.
Anatomy of an Award Winner: Mary Monk
No sun? No problem for Mary Monk. Overcast days at the Shadows-on-the-Teche Plein Air Competition did not deter the Louisiana oil painter.
