We wish to congratulate master artist David Leffel for earning a Lifetime Achievement Award. Watch a touching mini-documentary about his life and his path to becoming a legend.
Congratulations to watercolor master Alvaro Castagnet, who received a Lifetime Achievement Award at the 7th Annual Plein Air Convention & Expo.
Take a closer look at a nineteenth-century oil painting in this sneak peek at the new issue of Plein Air Magazine.
Get a quick dose of inspiration in this Q&A regarding Richard Schloss’s atmospheric art, his inspiration, and the single-word answer to his most commonly asked question.
The varied and vivid landscapes of Wyoming inspire oil painter Bill Sawczuk to take a more expressive approach to plein air painting. Read more in this exclusive excerpt from our current issue (on newsstands now).
The story of my painting "Crossing Light" is all about light and how it leads the eye around the painting and then lands on the main character in the immediate foreground. But first I should back up and explain why I chose to paint this scene...
Vladislav Yeliseyev shares insights on painting two different landscape subjects, and the brushes he uses for them, in this artist profile from Plein Air Today.
Our 7th Annual Plein Air Convention and Expo is just around the corner, and to celebrate, we’ll be highlighting some of our featured instructors and their art over the next several weeks. Recently I asked him to tell us more about a couple of his paintings.
Washington state plein air artist Jerry Balcom uses compositional devices, edge control, and color intensities to bring viewers into his pastel paintings. These techniques allow him to share the emotions he felt while working on location.
Nancy Boren’s oil painting “Cimarron Solstice” won second place in the 6th annual PleinAir Salon art competition. Read about her inspiration for the work, and learn how she created the scene, which exudes both grace and whimsy.
What does a top award winner anticipate as he begins a new plein air season? Maryland artist Tim Kelly reveals his expectations for 2018.
Randall Graham adds cold wax medium to his oil colors so he can brush, scrape, thicken, thin, and scumble layers of color and texture to create a dreamlike state. See how he works with the medium.
During her presentation at the Plein Air Convention & Expo, Tennessee artist Kathie Odom will reveal that she has been fortunate to find spiritual and personal support as her career skyrocketed to higher levels. What will she recommend to artists in Santa Fe?
“If people start looking for color in the shadow, they will see it,” says Mark Fehlman, one of the featured artists at the Plein Air Convention & Expo. “If they stop and look, compare things, and consider what they want to emphasize most, they will get a lot more out of their observations.” How does Fehlman actually accomplish that?
Maine artist Stephan Giannini spent days creating two plein air paintings in an apple orchard, and one of them is on the cover of the March 2018 issue of PleinAir. Find out why he worked so long on location.
Over the past 25 years, David E. Dallison has taken his portable watercolor equipment to more than 35 countries, sometimes ignoring travel warnings and political unrest. He is now being a bit more cautious since he is traveling with his young family. Here’s how he works with watercolors in distant locations.
Utah artist Brad Teare stopped painting outdoors because he was putting too much pressure on himself and not enjoying the observational process necessary to discover nature’s subtleties. How did he adjust his attitude and reduce his stress levels?
Lighthouses are such wonderful subjects, aren’t they? They project into the sky with brilliant designs from sandy and rocky shores and are beacons of hope for weary sailors. For accomplished outdoor painter Poppy Balser, there will always be a special place in her heart for Point Prim. Discover why here.
New York State painter James Coe collects paintings that demonstrate good ways of tackling vexing painting problems — like presenting a variety of greens in a landscape.
No sun? No problem for Mary Monk. Overcast days at the Shadows-on-the-Teche Plein Air Competition did not deter the Louisiana oil painter.