Perhaps, on some level, attending the Plein Air Convention & Expo (PACE) is dangerous. You may come home permanently changed.
One plein air painting inspired several exceptional studio pieces by this California pastelist, the winner of the December-January contest in the PleinAir Salon.
Wisconsin painter Shelby Keefe chooses paintings for her collection that reflect her goals — and if they feature cars, so much the better.
Pastelist Marla Baggetta has a secret she uses every day to put her in the right frame of mind for painting.
Malta painter Andrew Borg found beauty in a historical salt manufacturing compound. He explains his process and the site’s history here.
From ancient burial mounds to one of the most striking geological features of the United States, Julie Jilek’s favorite place to paint has much to intrigue the painter. But Jilek also loves it because of her personal history.
For Brienne M. Brown, the reasons why she buys a painting for her collection vary, but one thing generally doesn’t — her feeling that she has to have it.
Pastelist Brenda Boylan is a veteran of the Plein Air Convention & Expo (PACE), and this year, she plans on sharing her street-smart tips for painting urban scenes. Such as?
When Monika Johnson sees someone doing what she tries to do, she finds it inspirational — and she buys the piece. Who’s in her collection?
Plein air painting can be a challenge, but even changing light and other environmental conditions aren’t enough for some folks. Like W. Truman Hosner, a member of the Plein Air Convention & Expo (PACE) faculty, who ups the ante considerably with his subject matter.
Karl Dempwolf is a key figure in California plein air painting, so much so that PleinAir magazine publisher Eric Rhoads will present Dempwolf with a Lifetime Achievement Award at the Plein Air Convention & Expo (PACE) in April. That’s one of the reasons Dempwolf will be there in San Diego. But why else?
Plein air painting isn’t just about the view in front of you. It’s about the entire environment around you. Danny Griego is exploring this through short videos.
Maryland painter Jill Basham says she collects work by other artists that she thinks is beautiful. But she also does it to learn.
California painter Mark Fehlman loves the Plein Air Convention & Expo (PACE) because it offers artists a chance to be with their tribe, and learn from each other. And this year, he doesn’t even have to leave town to attend.
Ray Hassard, a featured instructor at the upcoming Plein Air Convention & Expo (PACE) slated for April 24-28 in San Diego, has traveled widely ... and painted locally. One of his guiding lights is a provocative quote from John Constable.
For Jason Sacran, there’s nothing like a deadline … and some serendipity.
Pennsylvania artist Barry Koplowitz collects art, but not many paintings. What moves him to pick the few he has?
Brian Stewart was one of the participants in the early Catalina Island wet-paint shows that played a huge role in launching the contemporary plein air movement.
San Diego artist Danny Griego finds that incorporating “urban line” in his paintings makes them much stronger — and mimics the way many of...
Paola Fiorelle Berthoin feels strongly about removing obsolete dams to help a river become free-flowing and healthy, and she's found a way to help...