Richard F. Lack (1928-2009) taught students not to see a colors in isolation, but rather to see them in relation to those that surround them. What were his teaching methods?
Two of a plein air painter’s favorite elements — light and atmosphere — are arguably best celebrated by a tonalist approach, as the work of this Oregon painter suggests.
Today we welcome artist Karl Dempwolf as our guest with an exclusive Q&A about painting en plein air, his color palette, and his advice for those new to painting with oil.
Recently, one of our dedicated readers reached out to us to say hello and connect, which is part of what the plein air community is all about. Meet John Killmaster, who kindly took the time to answer a few questions about his artistic journey so that you can be inspired in yours.
Please help us welcome watercolor artist Joseph Zbukvic as a newly announced faculty member for PACE. See a gallery of his work in this spotlight.
With music pouring onto the streets from every corner of the city, Sean Friloux finds a unique vantage point from which to capture New Orleans in tonal watercolors.
Today we spotlight Russian artist Vitaly Makarov and his brilliantly colored plein air landscapes. In this Q&A, he tells us about his artistic development, use of color, and more.
Take a closer look at her plein air oil painting, “A Negative View of Saloons.”
Represented by Total Arts Gallery, Chinese artist Huihan Liu creates painterly works when plein air is “difficult, if not impossible.”
An artist shares his love (and advice) for painting the Croatian region.
We wish to congratulate master artist David Leffel for earning a Lifetime Achievement Award. Watch a touching mini-documentary about his life and his path to becoming a legend.
Congratulations to watercolor master Alvaro Castagnet, who received a Lifetime Achievement Award at the 7th Annual Plein Air Convention & Expo.
Take a closer look at a nineteenth-century oil painting in this sneak peek at the new issue of Plein Air Magazine.
Get a quick dose of inspiration in this Q&A regarding Richard Schloss’s atmospheric art, his inspiration, and the single-word answer to his most commonly asked question.
The varied and vivid landscapes of Wyoming inspire oil painter Bill Sawczuk to take a more expressive approach to plein air painting. Read more in this exclusive excerpt from our current issue (on newsstands now).
The story of my painting "Crossing Light" is all about light and how it leads the eye around the painting and then lands on the main character in the immediate foreground. But first I should back up and explain why I chose to paint this scene...
Artist Cindy Baron shares how and why she chooses which medium to use at plein air events.
Our 7th Annual Plein Air Convention and Expo is just around the corner, and to celebrate, we’ll be highlighting some of our featured instructors and their art over the next several weeks. Recently I asked him to tell us more about a couple of his paintings.
Washington state plein air artist Jerry Balcom uses compositional devices, edge control, and color intensities to bring viewers into his pastel paintings. These techniques allow him to share the emotions he felt while working on location.
Nancy Boren’s oil painting “Cimarron Solstice” won second place in the 6th annual PleinAir Salon art competition. Read about her inspiration for the work, and learn how she created the scene, which exudes both grace and whimsy.